unrhymed

基本解釋

The language and meter used by Aeschylus in his plays was the forerunner of blank verse, or unrhymed iambic pentameter.
埃斯庫(kù)羅斯在劇中使用的語(yǔ)言和韻律則是素體文，或者說(shuō)成無(wú)韻抑揚(yáng)格五步詩(shī)的前身。
Milton wrote his epic in lines of unrhymed iambic pentameter or what we call, and what Milton would have called, blank verse.
彌爾頓的史詩(shī)由不押韻的抑揚(yáng)格五音步詩(shī)句寫成,我們，還有彌爾頓都稱其為無(wú)韻詩(shī)。
For most readers in Milton's time, rhyme was actually constitutive of poetry, and Milton's lines of unrhymed verse here may well have not seemed poetry at all. It was shocking.
對(duì)大部分彌爾頓時(shí)期的讀者來(lái)說(shuō)，押韻是,詩(shī)歌的組成部分，彌爾頓這不押韻的詩(shī)句,很可能看起來(lái)根本不是詩(shī)，它令人震驚。

Milton wrote his epic in lines of unrhymed iambic pentameter or what we call, and what Milton would have called, blank verse.
彌爾頓的史詩(shī)由不押韻的抑揚(yáng)格五音步詩(shī)句寫成,我們，還有彌爾頓都稱其為無(wú)韻詩(shī)。
耶魯公開課 - 彌爾頓課程節(jié)選
Up to this point in literary history, only verse written for the theater had been written in unrhymed lines of iambic pentameter, in blank verse.
文學(xué)發(fā)展到那時(shí)候，只有為戲劇寫的詩(shī),才會(huì)用不押韻的抑揚(yáng)格五音步，即無(wú)韻詩(shī)。
耶魯公開課 - 彌爾頓課程節(jié)選
The primary metrical pattern in Frost is the primary metrical pattern in English poetry, which is to say blank verse or unrhymed iambic pentameter.
弗羅斯特基本的詩(shī)歌韻律,是英國(guó)詩(shī)歌的基本韻律，也就是無(wú)韻詩(shī)或不押韻的五音部抑揚(yáng)格。
耶魯公開課 - 現(xiàn)代詩(shī)歌課程節(jié)選