spirit of the time
基本解釋
- [藝術(shù)學(xué)]時(shí)代精神
英漢例句
- Yet they are not mere mouth- pieces of the spirit of the time (Engels).
然而他們又井不僅僅是“時(shí)代精神的代言者”(恩格斯語(yǔ))。 - And writer discussed the main content and form of Mongolian spirit of the time from four aspects of patriotism, solidarity, brave, respect for wisdom.
對(duì)當(dāng)時(shí)的蒙古族精神的主要內(nèi)容和形式從“愛(ài)國(guó)”、“團(tuán)結(jié)”、“勇敢”、“崇尚智慧”等四個(gè)方面進(jìn)行了總結(jié)論述。 - Genuine philosophy is people's interpretation of the world from the most universal and essential perspectives, the crystallization of mankind wisdom and the essence of the spirit of the time.
真正的哲學(xué)從最普遍、最本質(zhì)的意義上,表達(dá)了人們對(duì)世界的理論說(shuō)明,是人類(lèi)智慧的結(jié)晶,因而是時(shí)代精神的精華。 - "But the most wonderful thing is that despite all those tensions, people are able to worship freely, there is such a variety of different devotion and celebration in the streets of Jerusalem, and that's the spirit that really should predominate at this time."
- This is the spirit that Moses says, in the first Book of Genesis, that moved upon the face of the waters at the time of creation.
這就是摩西在圣經(jīng)第一卷《創(chuàng)世紀(jì)》中所說(shuō)的,在天地初創(chuàng)之時(shí)游走于水面的那個(gè)圣靈。
耶魯公開(kāi)課 - 彌爾頓課程節(jié)選 - Spirit is merely a kind of bodily form of energy, and God at the beginning of time infused this energy into the entirety of the material world at the Creation.
靈魂不過(guò)是能量的一種物質(zhì)形式,上帝在時(shí)間之始創(chuàng)世紀(jì)之際將這能量,注入到了整個(gè)物質(zhì)世界之中。
耶魯公開(kāi)課 - 彌爾頓課程節(jié)選 - Nothing is more affirming of the entrepreneurial spirit that spending time with a child and seeing the wonder and curiosity with which they approach the world.
FORBES: How Entrepreneurs Can Beat The Holiday Blues
雙語(yǔ)例句
原聲例句
權(quán)威例句
專(zhuān)業(yè)釋義
- 時(shí)代精神
According to the theory that the spirit of the time determines the appearance of the arts,the real relation between art phenomenon and social background is replaced by the abstract laws,so obviously the history of fine arts take a accessory position.
按照時(shí)代精神決定藝術(shù)面貌的理論,美術(shù)現(xiàn)象與社會(huì)背景之間的真實(shí)聯(lián)系被抽象的規(guī)律取代,美術(shù)史明顯處于附庸的地位。